History Lesson

A poem by Gale Acuff


From the attic window I see my school.
My bedroom’s up here. I’m sick today–flu,
maybe, or a virus. Right about now
we’d be looking in our history books.
The Gettysburg Address, I think. I’ll miss
it again. Of, by, and for the people.
I can just make out the Flag, and the state
flag fluttering beneath it but with it.
I wonder what we’ll have for lunch today.
For a quarter it’s not that raw a deal.
The lunchroom ladies tell us it’s balanced.
That means it’s equally bad all around,
the meat, the vegetables, bread, and dessert.
At the dinner table my parents say
Clean your plate–there are children starving
in China, India, Africa, and
on the reservations
. They can have mine,
I said one time. It was the only time
–after supper Father licked me but good.
I still don’t understand how eating all
my meal means other kids don’t go hungry.
I’m afraid to ask. Otherwise, my folks

aren’t bad. Soon Mother will climb the fourteen
steps up to my room. She’ll bring saltines and
Coca-Cola and hope I keep them down.
I want to read my comic books but they
won’t sit still. I get dizzy. They move and
move in circles. Somehow Batman is up
and then he shifts to the right and then he’s
down and then to the left, and then he’s up
again. He won’t keep to the center and
Robin and Ace the Bat-hound move with him.
They may as well be dancing and then I
want to throw up. I have a radio,
a transistor, but the battery’s weak
and I don’t want to use the juice that’s left.
Even looking out the window makes me
sick. I can’t be where I’m supposed to be
and I’m missing Lincoln’s famous speech, or
at least what my teacher’s teaching of it.
I can get into bed but there’s nothing
to do but stare at the ceiling, or close
my eyes and stare at their ceilings, the backs
of my eyelids. Still, it’s easier to
imagine that way. There’s the President,

tall, and ugly and handsome all at once,
maybe with his stovepipe hat removed and
reading his little speech that was so big
and then finishing in only a few
minutes and all the people looking at
each other as if to say, Holy cow,
that wasn’t a speech but a recipe
.
And Honest Abe leaves because he’s got work
to do, he’s got to end this war that he
started. I’m from Marietta, Georgia,
and that’s what they teach us. But whatever
the truth is, he was great enough to be
assassinated–a pretty long word
all to mean to get your brains blown out. If
I wasn’t afraid of throwing up now

I’d find that Superman story where he
breaks the time barrier into the past
and stops John Wilkes Booth from shooting Lincoln.
Sic semper–ulp! is all Booth says before
the Man of Steel cuts in right before ulp!
Then Lincoln thanks him. Later Superman
returns to the present but everything’s
the same–he thought he changed history but
no dice. Then he discovered he was on
some other earth, maybe a parallel
universe. Boy, was he disappointed
–who wouldn’t be? He’s as super as heck
but not enough to stop evil before
it happens because it already has.
I think I’d rather die from kryptonite
poisoning than a broken heart–I mean,
if I have to die at all, and I guess
I do. I hope it’s not real soon. I hope

it’s as far away as never having
to die at all, almost. I’m not selfish,
just afraid. Dying is the kind of thing
that, if it is the end, should happen in
the past, where ends belong. Not the future.
Tomorrow, I hope, I’ll go back to school
but it’s not like I didn’t learn something
today. I just won’t get it on a test.


Gale Acuff is an assistant professor at the Arab American University in Palestine. He has taught English in the Palestinian West Bank, the U.S., and China. His poetry has been published in Ascent, the Ohio JournalDescant, Poem, the Adirondack Review, the Coe Review, the Worcester Review, the Maryland Poetry Review, and many other journals. He has authored three books of poetry: Buffalo Nickel (BrickHouse Press, 2004), The Weight of the World (BrickHouse Press, 2006), and The Story of My Lives (BrickHouse Press, 2008).
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Religious

A poem by Gale Acuff


When my dog dies I hold a funeral
for him, but when nobody’s looking, so
I won’t be embarrassed at taking life
so seriously. I’m only seven
and shy anyway and he’s my dog so
I can do anything I want. It’s like

my birthday, or Christmas morning, or good
grades on my report card. I’m not happy,
of course, that he’s dead, Caesar, I mean. No
sir: I cried when I found him so and he
didn’t move when I called him and called him,
not even when I poked him with a stick
right in the ribs, where he should have felt it.
I screamed like a girl, too, to see his face
looking alive but being not—his eyes
open and looking—at what?—and his mouth
agape and his tongue out, just like panting,
which kind of figures because he did that
when he was hot or tired or both and now
he’s dead and that’s like being hot and tired
beyond how panting could ever help. I

run to the house and find Father in
front of the TV and Game of the Week
and a Schlitz in his grip and I yell, Hey,
Father, Father, Caesar can’t move and I
think he’s dead. Hurry! He puts the brew down
on the table and misses the coaster
and he’ll catch it if Mother finds out and
he follows me out though I’m way ahead
and waiting about a yard from Caesar
when he gets there—Father, I mean. Well, well,
he says—I still mean Father—for pity’s
sake
, he says. He’s gone, sure ‘nough. I’m crying
now and he says, Father says, Don’t take on
so, boy, but let’s go get the wheelbarrow
and shovel
, so we walk, side by side, to
the barn, not that we own any livestock
anymore, and get what we need. Then we
come back. I watch Father lift Caesar in

-to the wheelbarrow. Soon we’re rolling, down
through the garden and onto the terrace
below. Let’s see where we can put him, boy,
he says. We find a good spot near the pines.
I start to dig but he takes the shovel
and says, Better let me get it started,
so he cuts through the grass and weeds and
lets me dig some and then he digs what’s left.
He lifts Caesar out of the wheelbarrow
and into the hole—the grave, I mean—and
my job’s to pile all the dirt and grass and
weeds back in. And I never see my friend
again, but that’s death for you, also life,
so maybe they’re really the same thing, but

I’m still a little boy and Father knows
the truth and I’d ask him but I don’t want
to make a pest out of myself—he works
hard and it’s Saturday and he’s missing
the baseball game on the tube. And his beer.
Well, that’s that, he says, when we’ve finished. He
was a pretty good ol’ dog
, he says. Yes,
I say. Well, I’ll go in now, I guess. You
come soon, you mind?
He says it as if there’s
something to be afraid of out here but
he’s not going to question my courage,
not at a time like this. God does that, too,
I guess. So after he leaves I don’t know
what to do, exactly, but cry some more
and look at the flowers and trees around
us—I mean Caesar and me—then stare at
the grave, which is new, and death, which is old,
but no older than life, I’ll bet. I sing

Jesus Loves the Little Children, and say
a few words on top of that that I learned
off TV, something like Lord, this dog was
a good dog and please take him into Thy
bosom, whatever that means—I thought just
ladies had bosoms, but God is special
so anything’s possible. Now I’m scared
so I turn and run back to the house and

that night I dream that Caesar digs himself
out and comes into my bedroom and jumps
onto the bed and starts licking my face.
I wake and my face is wet—tears, not licks.
I cry a little more, or that’s whimpers,
the way Caesar did when he was a pup
and too small to jump on the bed and if
I lift him up there then he might fall off
or I might roll over him in my sleep
and squash him. So I got down on the floor
and slept there with him. And we were happy.

But the next day death is a day older
and so am I but it’s a day ahead
of me. One day it will slack up for me
but if Caesar can stand it, so can I.
Once you’re dead you live again, but for keeps,
is what they say at Church. I hope they’re wrong.


Gale Acuff is an assistant professor at the Arab American University in Palestine. He has taught English in the Palestinian West Bank, the U.S., and China. His poetry has been published in Ascent, the Ohio JournalDescant, Poem, the Adirondack Review, the Coe Review, the Worcester Review, the Maryland Poetry Review, and many other journals. He has authored three books of poetry: Buffalo Nickel (BrickHouse Press, 2004), The Weight of the World (BrickHouse Press, 2006), and The Story of My Lives (BrickHouse Press, 2008).

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A poem by Gale Acuff


At church they say that when I die I’ll go
to Heaven—and they should know, I guess. I
have to be good, though, and when I sin, I
have to pray to be forgiven. And I
can’t sin on purpose and get off the hook
although I’m not sure why—something about
being a hypocrite. After Sunday

 

School I walk back home and take off my clip
-on bow tie and put it in my pocket
and pull my shirttail out and blow bubble
gum and step into the woods to pee. I
come out again and can make out our house
at the top of the hill. I can’t live there
forever. I’ll have to graduate from
high school and maybe go to college and
graduate from it, too—hope it’s not hard
—and find a job and get married and have
children and then retire and be old
and play with my grandchildren and then die.
That’s when I’ll meet God—or meet Him again,
if I knew Him before I was born. I
don’t remember now but maybe I will
when I see Him. Or maybe I’ll just hang

 

until the Judgment Day, which means
lying and shriveling up and rotting
in my pine box in the ground until all’s
up. And then I’ll see Him. I’ll be a soul
by then, however—invisible, but
God will know it’s me. Without eyes I’ll see
Him as clearly as day. Into the Lake
of Everlasting Fire, he roars. Sure thing,
I say, but I was really hoping for
better. Suddenly I’m neck-deep in flames
—maybe they will purify my spirit.
And if it’s Eternity then there’s no
time to worry about. A soul can burn
—I know that now. Brother, do I ever.

Gale Acuff is an assistant professor at the Arab American University in Palestine. He has taught English in the Palestinian West Bank, the U.S., and China. His poetry has been published in Ascent, the Ohio JournalDescant, Poem, the Adirondack Review, the Coe Review, the Worcester Review, the Maryland Poetry Review, and many other journals. He has authored three books of poetry: Buffalo Nickel (BrickHouse Press, 2004), The Weight of the World (BrickHouse Press, 2006), and The Story of My Lives (BrickHouse Press, 2008).