Not a True Believer

A poem by David Lohrey


America is the only country in the world that doesn’t
maintain public toilets. Enclosed spaces invite indecency.
Even the homeless get horny. They defecate in the open
like monkeys in Delhi. The streets reek. Men and women strut
around like pigeons. Their depravity has gone viral.

Nobody objects to the Bushes (and their billions);
it is Nancy and her lust for fine China that draws rebuke.
We fear hunger. We can smell fear. Most would prefer
war to lust. Charles Manson was more highly regarded
than Timothy Leary.

You can’t blame a man like Obama who wants to be rich. What’s
50 million dollars between friends? After eight years in the White
House he is bidding for his own basketball team. Greed is not
unseemly. But we don’t like that man in the White House
who eats McDonald’s.

Whitman called for a poetry of exaltation. Brecht: a poetry of thought.
We got a poetry of despair, written by alcoholics and the lonely.
We’ve embraced the William Gaddis school of gigantism, like
Soviet architecture and aerial photographs of four-leaf clover
interchanges. Like elephant turds, they are impressive.

Construction has been funded, but nothing’s been set aside. 3000 public
schools were built in the 1930s, but there’s no money for upkeep.
Students tear pages from school books to wipe their asses. The pipes
on the 3 rd floor are plugged with Dante. The girls’ bathroom is
flooding. The Principal’s answer is to tell the students to stop reading.

Kirwood McMann head custodian at PS109 preaches every Sunday morning
at the Magnolia Street Church of Christ. He recites the oracles of woe as he
unloads 43 rolls of toilet paper from the trunk of his 7-year-old Cadillac Sedan
de Ville. When I complained to him about my filthy classroom, he looked
up and said, “Why you gotta say “filthy” when “dirty” will do?”

Rev. McMann tries many times to explain to me the ways of the world. “The
people,” he preaches, “have forgotten how to do right. This country is filled
with wealth taken by theft and violence. Sundays are too long. People can’t wait
to get back to cheating the helpless. And you say your floor is filthy. It is you,
you sir, who is filthy!”


David Lohrey’s plays have been produced in Switzerland, Croatia, and Lithuania. His poetry can be found in Otoliths (AUS), The Drunken Llama (US), Tuck Magazine (UK), Expanded Field Journal (Netherlands), and Dodging the Rain (Ireland). His fiction can be read online at Terror House, Storgy Magazine, and Literally Stories. David’s collection of poetry, MACHIAVELLI’S BACKYARD, was published by Sudden Denouement Publishers (Houston, 2017). He lives in Tokyo.

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Religious

A poem by Gale Acuff


When my dog dies I hold a funeral
for him, but when nobody’s looking, so
I won’t be embarrassed at taking life
so seriously. I’m only seven
and shy anyway and he’s my dog so
I can do anything I want. It’s like

my birthday, or Christmas morning, or good
grades on my report card. I’m not happy,
of course, that he’s dead, Caesar, I mean. No
sir: I cried when I found him so and he
didn’t move when I called him and called him,
not even when I poked him with a stick
right in the ribs, where he should have felt it.
I screamed like a girl, too, to see his face
looking alive but being not—his eyes
open and looking—at what?—and his mouth
agape and his tongue out, just like panting,
which kind of figures because he did that
when he was hot or tired or both and now
he’s dead and that’s like being hot and tired
beyond how panting could ever help. I

run to the house and find Father in
front of the TV and Game of the Week
and a Schlitz in his grip and I yell, Hey,
Father, Father, Caesar can’t move and I
think he’s dead. Hurry! He puts the brew down
on the table and misses the coaster
and he’ll catch it if Mother finds out and
he follows me out though I’m way ahead
and waiting about a yard from Caesar
when he gets there—Father, I mean. Well, well,
he says—I still mean Father—for pity’s
sake
, he says. He’s gone, sure ‘nough. I’m crying
now and he says, Father says, Don’t take on
so, boy, but let’s go get the wheelbarrow
and shovel
, so we walk, side by side, to
the barn, not that we own any livestock
anymore, and get what we need. Then we
come back. I watch Father lift Caesar in

-to the wheelbarrow. Soon we’re rolling, down
through the garden and onto the terrace
below. Let’s see where we can put him, boy,
he says. We find a good spot near the pines.
I start to dig but he takes the shovel
and says, Better let me get it started,
so he cuts through the grass and weeds and
lets me dig some and then he digs what’s left.
He lifts Caesar out of the wheelbarrow
and into the hole—the grave, I mean—and
my job’s to pile all the dirt and grass and
weeds back in. And I never see my friend
again, but that’s death for you, also life,
so maybe they’re really the same thing, but

I’m still a little boy and Father knows
the truth and I’d ask him but I don’t want
to make a pest out of myself—he works
hard and it’s Saturday and he’s missing
the baseball game on the tube. And his beer.
Well, that’s that, he says, when we’ve finished. He
was a pretty good ol’ dog
, he says. Yes,
I say. Well, I’ll go in now, I guess. You
come soon, you mind?
He says it as if there’s
something to be afraid of out here but
he’s not going to question my courage,
not at a time like this. God does that, too,
I guess. So after he leaves I don’t know
what to do, exactly, but cry some more
and look at the flowers and trees around
us—I mean Caesar and me—then stare at
the grave, which is new, and death, which is old,
but no older than life, I’ll bet. I sing

Jesus Loves the Little Children, and say
a few words on top of that that I learned
off TV, something like Lord, this dog was
a good dog and please take him into Thy
bosom, whatever that means—I thought just
ladies had bosoms, but God is special
so anything’s possible. Now I’m scared
so I turn and run back to the house and

that night I dream that Caesar digs himself
out and comes into my bedroom and jumps
onto the bed and starts licking my face.
I wake and my face is wet—tears, not licks.
I cry a little more, or that’s whimpers,
the way Caesar did when he was a pup
and too small to jump on the bed and if
I lift him up there then he might fall off
or I might roll over him in my sleep
and squash him. So I got down on the floor
and slept there with him. And we were happy.

But the next day death is a day older
and so am I but it’s a day ahead
of me. One day it will slack up for me
but if Caesar can stand it, so can I.
Once you’re dead you live again, but for keeps,
is what they say at Church. I hope they’re wrong.


Gale Acuff is an assistant professor at the Arab American University in Palestine. He has taught English in the Palestinian West Bank, the U.S., and China. His poetry has been published in Ascent, the Ohio JournalDescant, Poem, the Adirondack Review, the Coe Review, the Worcester Review, the Maryland Poetry Review, and many other journals. He has authored three books of poetry: Buffalo Nickel (BrickHouse Press, 2004), The Weight of the World (BrickHouse Press, 2006), and The Story of My Lives (BrickHouse Press, 2008).

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A poem by Gale Acuff


At church they say that when I die I’ll go
to Heaven—and they should know, I guess. I
have to be good, though, and when I sin, I
have to pray to be forgiven. And I
can’t sin on purpose and get off the hook
although I’m not sure why—something about
being a hypocrite. After Sunday

 

School I walk back home and take off my clip
-on bow tie and put it in my pocket
and pull my shirttail out and blow bubble
gum and step into the woods to pee. I
come out again and can make out our house
at the top of the hill. I can’t live there
forever. I’ll have to graduate from
high school and maybe go to college and
graduate from it, too—hope it’s not hard
—and find a job and get married and have
children and then retire and be old
and play with my grandchildren and then die.
That’s when I’ll meet God—or meet Him again,
if I knew Him before I was born. I
don’t remember now but maybe I will
when I see Him. Or maybe I’ll just hang

 

until the Judgment Day, which means
lying and shriveling up and rotting
in my pine box in the ground until all’s
up. And then I’ll see Him. I’ll be a soul
by then, however—invisible, but
God will know it’s me. Without eyes I’ll see
Him as clearly as day. Into the Lake
of Everlasting Fire, he roars. Sure thing,
I say, but I was really hoping for
better. Suddenly I’m neck-deep in flames
—maybe they will purify my spirit.
And if it’s Eternity then there’s no
time to worry about. A soul can burn
—I know that now. Brother, do I ever.

Gale Acuff is an assistant professor at the Arab American University in Palestine. He has taught English in the Palestinian West Bank, the U.S., and China. His poetry has been published in Ascent, the Ohio JournalDescant, Poem, the Adirondack Review, the Coe Review, the Worcester Review, the Maryland Poetry Review, and many other journals. He has authored three books of poetry: Buffalo Nickel (BrickHouse Press, 2004), The Weight of the World (BrickHouse Press, 2006), and The Story of My Lives (BrickHouse Press, 2008).