A poem by Fred Pollack
Can a palace be modern?
Palace frou-frou, modern machine.
In any case, the palace
can be seen from many points,
and sees more,
as from the hypothetical upper pool
above its fourth floor.
I keep forgetting how they made their money,
which doesn’t matter: art
is the whole; what buys it,
what motivates the purchase, part.
Cheers from Basquiat.
Rothko questioning the usual suspect.
The peace of Yves Klein.
He who believes he stands in front
is off to one side of the shrine.
Intermittent rain
on the paths, the new trees, the built hills
whose looming topiary hobbyhorse
and vast squat lattice
are worthy goals.
I saw my dearest at the end
of a hundred-foot-long granite naturally-
lit hallway as art.
When the trees grow up, the collectors
will see the pilgrims vanish, reappear.
Fred Pollack is the author of two book-length narrative poems, The Adventure (Story Line Press, 1986) and Happiness (Story Line Press, 1998), and two collections, A Poverty of Words (Prolific Press, 2015) and Landscape with Mutant (Smokestack Books, 2018). In print, Pollack’s work has appeared in Hudson Review, Southern Review, Salmagundi, Poetry Salzburg Review, Manhattan Review, Skidrow Penthouse, Main Street Rag, Miramar, Chicago Quarterly Review, The Fish Anthology (Ireland), Poetry Quarterly Review, Magma (UK), Neon (UK), Orbis (UK), and elsewhere. Online, his poems have appeared in Big Bridge, Diagram, BlazeVox, Mudlark, Occupoetry, Faircloth Review, Triggerfish, Big Pond Rumours (Canada), The Drunken Llama (2017), Misfit, and elsewhere.
The Drunken Llama 